The Yanktonai Dakota painter Oscar Howe, who died in 1983, is the subject of a remarkable retrospective at the National Museum of the American Indian. ~ The New Yorker, Peter Schjeldahl
“Dance of the Heyoka” (1954)
"Dakota Modern,” crisply curated by Kathleen Ash-Milby, consists almost exclusively of works in tempera, watercolor, gouache, or casein on paper. The execution is phlegmatically deliberate. Photographs of Howe, always neatly dressed and placidly industrious, usually seated at a table, consort oddly with the power-packed compositions and aggressive hues of his pictures.
The upshot is a channeling of sheer, visionary imagination, as if the artist were taking dictation from an unseen demiurge. Do some of the effects seem cartoonish, with figuration that anticipated popular styles of graphic fiction which took hold in the nineteen-seventies? Perhaps.
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| Oscar Howe, photographed on March 30, 1958 |
Still, generic characters in melodramatic poses strategically depersonalize subjects to the benefit of thematic punch and decorative finesse. The results exalt audacity and breathe beauty. Howe seldom repeated himself. Each work can feel one-off, fulfilling a special mission to a fare-thee-well. If any quality is consistent, it’s suddenness.
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