Hilma af Klint, Altarpiece, No. 1, Group X, Altarpieces, 1907 Stiftelsen Hilma af Klints Verk. Photo: Albin Dahlström/ Moderna Museet |
The title for the artist's most important body of work, Paintings for the Temple is significant. It suggests that the canvases require a specific architectural 'home' and that they are designed to help viewers transcend beyond mortal and earthy realms.
Hilma af Klint does not make reference to any particular religion - she does not use the word church, synagogue, or mosque - but instead aspires to build a temple. A universal place of worship dedicated to seeking balance through the union of opposites.
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